Thangkas are painted on cotton or
silk. The most common is a loosely woven cotton produced in widths from 40 to
58 centimeters (16 - 23 inches). While some variations do exist, thangkas
wider than 45 centimeters (17 or 18 inches) frequently have seams in the
support. The paint consists of pigments in a water soluble medium. Both mineral and organic pigments are
used, tempered with a herb and glue solution. In Western terminology, this is adistemper technique.
The
composition of a thangka, as with the majority of Buddhist art, is highly geometric. Arms, legs,
eyes, nostrils, ears, and various ritual implements are all laid out on a
systematic grid of angles and intersecting lines. A skilled thangka artist will
generally select from a variety of predesigned items to include in the
composition, ranging from alms bowls and animals, to the shape, size, and angle
of a figure's eyes, nose, and lips. The process seems very methodical, but
often requires deep understanding of the symbolism involved to capture the
spirit of it.
Thangka
often overflow with symbolism and allusion. Because the art is explicitly
religious, all symbols and allusions must be in accordance with strict guidelines
laid out in Buddhist scripture. The artist must be properly trained and have
sufficient religious understanding, knowledge, and background to create an
accurate and appropriate thangka. Lipton and Ragnubs clarify this in Treasures of Tibetan Art:
“Tibetan art exemplifies
the nirmanakaya, the physical body of Buddha, and
also the qualities of the Buddha, perhaps in the form of a deity. Art objects,
therefore, must follow rules specified in the Buddhist scriptures regarding
proportions, shape, color, stance, hand positions, and attributes in order to
personify correctly the Buddha or Deities.”
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