Based on technique and material, thangkas can be grouped by types.
Generally, they are divided into two broad categories: those that are painted
(Tib.) bris-tan—and those made of silk, either by appliqué or embroidery.
Thangkas are further divided into these more specific categories:
Ø Painted in colors (Tib.) tson-tang—the most
common type
Ø Appliqué (Tib.) go-tang
Ø Black Background—meaning gold line on a black
background (Tib.) nagtang
Ø Blockprints—paper or cloth outlined renderings,
by woodcut woodblock printing
Ø Embroidery (Tib.) tsem-thang
Ø Gold Background—an auspicious treatment, used judiciously
for peaceful, long-life deities and fully enlightened buddhas
Ø Red Background—literally gold line, but
referring to gold line on a vermillion (Tib.) mar-tang
Whereas typical thangkas are fairly small, between about 18 and
30 inches tall or wide, there are also giant festival thangkas, usually
Appliqué, and designed to be unrolled against a wall in a monastery for
particular religious occasions. These are likely to be wider than they are
tall, and may be sixty or more feet across and perhaps twenty or more high.
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